To celebrate the upcoming publication of my short story, “The Record Collector,” I’m finally doing the “post an influential album each day for 10 days” thing that several friends challenged me to do.
7) This Year’s Model, Elvis Costello and the Attractions
This was the first cassette I ever bought “blind,” having never heard the artist before, just based on A) a story about him in the Rolling Stone Illustrated History of Rock and Roll, and B) he looked like Buddy Holly, and, C) He’d worked with Nick Lowe whose Rose of England was on repeat in my tape deck.
So I had no preparation for what came blaring out of my boombox. It was the spooky organ of 60s garage bands I loved, but twice as fast. The rhythm section crammed so many notes into it–bassist Bruce Thomas floored the high-school jazz band bass player in me.
Look, if you’re talking “New Wave” —a fraught term which in the American Midwest basically meant punk with less atonality and more keyboards—there’s this record and then there’s everything else. (I’m sure someone has made the argument that it’s the first record of the ‘80s, even though it came out in 1978.) Costello knows how to write a tune, and how to balance vitriol and melody.